Propellerhead Reason 6.0.1 (WIN/MAC) | 3.28 GB + 3.68 GB
Reason is a virtual studio rack with all the tools and instruments you need to turn your ideas into music. It emulates a rack of hardware synthesizers, samplers, signal processs, sequencers, and mixers, all of which can be freely interconnected in an arbitrary manner. Reason can be used either as a complete virtual music studio as a collection of virtual instruments to be played live used with other sequencing software.
With its generous sound bank and intuitive flow, Reason helps you along in the creative process and is the music software that never gets in your way. Walk into any professional recding studio and you will see racks filled to the brim with different tools used in music production from reverb to compresss, vocoders, synths, disttion units, and parametric EQs. Unlike a real studio, however, if you want another synth an extra compress you can create one from a menu rather than taking that second job signing up f those experimental clinical drug trials.
Included with Reason is a huge sound bank full of inspiring instruments, synth patches, loops, and effects. Patches have been created by producers like Death Cab f Cutie’s Jason McGerr, Bomb Squad’s Hank Shocklee, Black Eyed Peas’ Printz Board, DJ Lucky Date, Kill the Noise, and me.
Basic Devices:
. Hardware Interface – The Hardware Interface handles the connection between software and hardware and suppts up to sixty-four separate outputs. As it is integral to Reason’s functionality, it cannot be removed.
. Mixer 14:2 – Reason’s mixer is used to group numerous device outputs into a stereo output. It has fourteen stereo channels with level meters, fixed bass and treble EQ and four stereo auxiliary sends. It is possible to mute solo any given channel, as well as alter its level, pan and auxiliary output level. The console has chaining master inputs to allow several line mixers to be daisy chained together, effectively allowing f an unlimited number of channels.
. Line Mixer 6:2 – Similar to the Mixer 14:2, and also known as the Micromix, it is a smaller, six channel mixer, with only one auxiliary send and return, no EQ, smaller level controls and limited metering.
Synthesizers:
. Subtract Analogue Synthesizer – Subtract is a polyphonic synthesizer device based on subtractive synthesis, which is the method used in classic, analog synthesizers. Its two oscillats can produce basic wavefms such as square, sawtooth, triangle, and sine. Additional wavefms based on samples can also be generated. The Subtract device can be completely automated from a controlling device, such as Reason’s sequencer.
. Th Polysonic Synthesizer – The Th device simulates a semi-modular synthesizer. Six filter and oscillat slots let you load up three different filter modules and three different oscillat modules simultaneously, allowing you to dial in novel sounds. A modulation matrix gives you complete control over your signal flow, letting you modulate anything within Th. Th also has a simulation of an analog style step sequencer with me than one twist.
. Malstrom Graintable Synthesizer – The Malstrom device creates its sounds using Graintable technology. This technology is a cross between granular synthesis and wavetable synthesis. Malstrom features many filtering and modulation options. It is capable of real-time wavefm stretching, spectral modulation, and wavetable sweeping. Malstrom comes with a wide range of Graintables.
Samplers:
. NN-19 Digital Sampler – The NN-19 device is Reason’s iginal sampler, introduced in the first version. All of the controls on the NN-19 can be fully automated from a controlling device. There are two ways of getting sound out of NN19: load a single wav/aiff sample load a sampler patch. Loading a single wav/aiff file will instantly transpose the audio across the keyboard by speeding up slowing down the playback of the sample. The NN19 can impt and play mono stereo files.
. NN-XT Advanced Sampler – The NN-XT device is an advanced sampler with many features. It is designed f wking with multiple samples which can be assigned to different keys on the keyboard. It can be used f both sound design and instrument emulation. Useful features include alternate sample playback, auto-pitch detection, keyboard zones with individual parameters, and tempo syncable LFOs.
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